Root Shuffling
The root jumps to a new pitch periodically during gameplay — the same noteset is reseated on a fresh root, building the ability to summon the noteset by its type from any root. This makes playing in any key trivial.
Ear training on bass
Major Pentatonic
Five notes, no semitones — the go-to major melodic scale
The major pentatonic is a five-note scale formed by adding the 2 and 6 to the major triad. Built from five steps along the circle of 5ths and free of dissonant semitone steps, it sounds good in a wide range of contexts. It is the innate scale — hummed naturally, independently across cultures.
Change root
or everyphrases
Notes
per phrase
Tempo
60bpm
Rhythm
Hand
Frets
up to
Sound
Metronome
100%
Samples load on first play (~1 MB).
What you're practicing
Ear training is training your perception of pitch so that you can play what you hear, rather than what you see — and learn from every piece of music you listen to. The usual kind names intervals on a keyboard and never touches your instrument; this kind is a perception–action loop: listen, identify, play, on the thing you actually play.
What it builds is relative pitch — hearing each note by its relationship to a root, which is what carries playing by ear, improvising and writing. So the root moves: the same set, reseated on a new note every so often, until the sound of a degree is the same in every key. Start with the root and fifth, then the pentatonics, then the scales; on the chord side, hear a triad and find its shape.
On the bass: four strings in standard tuning, the first twelve frets. The 6 exercises above are the loop with the ear training decided — the panel still offers every setting, and a link carries yours.