Major Modes

Seven-note scales that contain all the triads and pentatonics

Major modes are special seven-note scales, built by adding two notes from the circle of 5ths to a pentatonic. Picking every second note three times yields a balanced spread of three major and three minor triads — the most consonant chords; picking every second note four times yields the tetrads. Each mode also contains the pentatonics corresponding to each of the triads.

There are seven modes, one per note. The major major modes (ionian, lydian, mixolydian) share the major triad and major pentatonic; the minor major modes (aeolian, dorian, phrygian) share the minor triad and minor pentatonic. Locrian, the 7th mode, is built on the diminished degree and is practically unused. Each mode differs from its pentatonic by just two notes, and those two notes define its character.

Also called the diatonic modes — "major" here refers to the full seven-note structure, not to brightness.

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The instrumentTap a note to hear it.
CCD♭2DD dorianE♭3EE phrygian4FF lydianF♯5GG mixolydianA♭6AA aeolianB♭7BB locrian
C0D2E4F5G7A9B11
Circle of fifthsInside, the twelve notes by semitone — the wheel every set on this site is drawn on. Outside, the same twelve by fifths. 7 fifths from F — F C G D A E B. From C, ionian, the major scale: C D E F G A B. No sharps or flats; its neighbors G and F major share 6 of 7 notes.

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